α) The regularity as such is even closer to equality on the exterior and the same repeat of the same specific form which gives the unit for determining the shape of objects. Your first abstraction for such unity is the farthest from the rational totality of the specific concept, making their beauty a good sense of abstract beauty is, for the mind to its principle of the abstract, not in themselves certain equality and identity. Thus, among the lines, for example, the straight line is the regular, because it has only an abstract type and consistent direction. Similarly, the cube is a quite regular Body. On all sides it has equal areas, equal lines and angles that as the right of changing their size is not as blunt or sharp angles are capable of. β) is related to the regularity along the symmetry. In that extreme abstraction that is the equality in the determination does not stop the mold. The equality joins added inequality, and in the empty identity comes the difference is interrupted. This comes out the symmetry. It is that not an abstract same shape but himself repeatedly, but with a different form of the same type are also considered for a particular self-identical, but held against the first of these is not equal, is associated with. This connection has now a new, even more specific and come in more varied in equality and unity. If, for example, projecting on one side of a house three windows of equal size at equal distance from each other, then three or four in relation to the first increase in more or closer intervals to follow, but at last turn three, in size and distance from the three first added the same, so we have the appearance of a symmetrical arrangement. The mere repetition of the same uniformity and certainty in making therefore no symmetry, belongs to this The difference in size, position, shape, color, sounds and other rules, which then must be brought together again but in a uniform manner. Only the even combination of such determinations are dissimilar to today symmetry.
Both forms now, the regularity and symmetry than merely external unity and order fall primarily in the size determination. For the set as external, not simply inherent determinacy in general, quantitatively, while the quality that makes a certain thing to what it is, so that the intended change in its qualitative definiteness a very different Thing is. The size, however, and its amendment as mere quantity is a quality for the indifferent determinateness, if they are not claimed as a measure of power. Namely, the measure is the quantity insofar as it itself is again qualitatively determining, so that the specific quality is bound to a quantitative determination. Regularity and symmetry are mainly limited to size determinations and the uniformity and order in the unequal.
questions on where this ordering is the size of its right position received, we find both forms of the organic and inorganic nature, and regularly symmetrical in size and shape. Our own organism, for example, is at least partially regular and symmetrical. We have two eyes, two arms, two legs, same hip bones, shoulder blades, etc., from other parts, we know again that they are irregular, like the heart, lungs, liver, intestines, etc. The question here is: what is this difference? The side on which the regularity of the size, shape, position, etc. manifests itself, is also the site of externality as such in the organism. The regular and symmetrical determination occurs namely the concept of the thing out to there, where the lenses of his determination according to the External and shows itself is not a subjective inspiration. The reality that stands still in this externality falls prey to that abstract external unit. In contrast, the soulful vitality and greater freedom of spirituality comes up in the sheer regularity back against the subjective living unit. Now, though, nature is ever the spirit over the reigns himself outward existence, but also in its regularity just as before, where the externality as such, remains the dominant.
αα) close, if we go through the main stage briefly to have minerals, crystals For example, as the inanimate structure regularity and symmetry to their basic form. Her figure, was as already noted, is indeed inherent in them and not only by external action, determines the nature of their work for them rightful form of clandestine activity in the inner and outer structure. But this activity is still not the total of the specific idealized concept of the existence of sets of independent parts as negative and thus inspired, as in animal life, but the unity and determination of the form remains in abstract intelligent bias and take it therefore as a unit to the external to itself to mere regularity and symmetry, are forms, which only operates in abstractions as the determining.
ββ), the plant still is already higher than the crystal. It develops already at the beginning of a breakdown in constant active and eat food the material. But the plant has not actually animate vitality, as though divided organic, but their activity is always pulled out to an outside. It is rooted firmly without independent movement and change of place, it is growing constantly, and their continuous assimilation and nutrition is not getting a quiet self-contained organism, but a new steady spawning their outward out. The animal grows even, but it remains at a certain point the size and are reproduced as self-preservation of a single individual. The plant but grows without stopping, and only with her death, there is the propagation of its branches, leaves and so one. And what it produces in this growth is always a new copy of the same organism as a whole. For each branch is a new plant, not as in the animal organism only an isolated element. With this permanent increase of itself to many plant individuals lack the plant that inspired subjectivity and the ideal unity of feeling. In fact, she has her whole life and their life processes of how much it even after inside digested food is assimilated and is determined from work by their released, active in material term, but always caught up in the externality without subjective independence and unity, and emptied their self-preservation is getting longer. This character of constant self-on-the-making further inroads into the outside now, the regularity and symmetry in the unit external to itself as a major moment for the plant structure. While here there is the regularity is not as strict as in the mineral rich and not designed in such abstract lines and angles while also prevalent. The strain largely increases straight line, which are circular rings of higher plants, the leaves are approaching crystalline forms, and bear the flowers in the number of pages, position, shape - the basic type for - the character of regular and balanced determination.
γγ) The animal-like living organism finally enters the main difference of a fashion design doubled the limbs. Because in the animal body, especially at higher levels, the organism is one of internal and self-determine, to be of related organisms, which goes back as it were a ball in himself, the other time he's of external body, as an external process and as the trial of the externality. The nobler viscera are the internal, liver, heart, lungs, etc., to which life is bound as such. They are not intended to mere types of regularity. In contrast, the limbs, which in constant relation to the outside world, are also prevails in the animal organism is a symmetrical arrangement. Here are the limbs and organs of both the theoretical and the practical process to the outside. The purely theoretical process do the sense organs of sight and hearing, what we see, what we hear, we can, as it is. The organs of smell and taste are on the other hand, already the beginning of the practical relationship. For smell only that which is already understood in that which is eating taste, and we can only do that by destroying. Now we might only have a nose, but it is divided in two halves and are well in its formed regularly. Similarly with the lips, teeth, etc. Quite a regular basis but in their position, shape and so are the eyes and ears and limbs for locomotion and taking control and practical change in the external objects, legs and arms.
Also in the Organic therefore, the term referred to their regular law, but only in the limbs, providing the tools for the direct link to the outside world and not press the cover of the organism to itself as a self-returning subjectivity of life.
These would be the main provisions of the regular and symmetrical forms and their creative power in the natural phenomena.
Georg Wilhelm Friedrich Hegel> Lectures on Aesthetics (1835-1838)> I. The idea of artistic beauty or the ideal> B. The outer beauty of abstract form and abstract unity of the sensuous material> 1 The beauty of abstract form 'a.The regularity.
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